Sans Superellipse Adbod 6 is a regular weight, wide, monoline, upright, normal x-height font.
Keywords: ui, branding, signage, headlines, product design, futuristic, technical, clean, sleek, friendly, modernization, system design, clarity, approachability, tech tone, rounded corners, soft geometry, compact curves, open counters, boxy rounds.
A geometric sans with a rounded-rectangle construction that carries through both straight and curved strokes. Terminals are softly squared rather than fully circular, and corners are consistently radiused, producing superellipse-like bowls in letters such as O, D, P, and Q. Stroke thickness is even and calm, with generous spacing and open apertures that keep forms clear in text. The lowercase shows simple, modern constructions (single-storey a and g), with a tidy, squared-shoulder n and m, and a short, minimal i/j treatment that matches the overall modular feel. Numerals follow the same rounded-rect geometry, with a clean, legible 0 and similarly squared curves in 2, 3, 5, 6, 8, and 9.
This font works well for user interfaces, product branding, and wayfinding where a modern, geometric voice is desired. Its open counters and steady stroke behavior also suit short paragraphs, dashboards, and technical documentation, while the distinctive rounded-rect forms add character for headings and logotypes.
The overall tone feels contemporary and engineered: precise, orderly, and slightly futuristic. The softened corners add approachability, keeping the face from feeling sterile while still reading as modern and tech-oriented.
The design appears intended to merge geometric clarity with softened, rounded-rectangle forms to create a contemporary sans that feels both technical and approachable. Its consistent corner treatment and modular shapes suggest an emphasis on systematized, screen-friendly letterforms.
Diagonal forms (V, W, X, Y, Z, and K) are crisp and angular, contrasting nicely with the squarer curves of the bowls. The design maintains a consistent visual logic across uppercase, lowercase, and figures, giving it a coherent, system-like rhythm suited to interface typography.