Sans Normal Kekor 11 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Compasse' by Dharma Type, 'Gilam' by Fontfabric, 'Identikal Sans' by Identikal Collection, 'Neusa Neu' by Inhouse Type, 'Hint' by ParaType, 'Unione' by TOMO Fonts, and 'DINosaur Sharp' by Type-Ø-Tones (names referenced only for comparison).
Keywords: headlines, branding, sportswear, posters, packaging, sporty, dynamic, modern, punchy, energetic, impact, motion, display, modernity, clarity, oblique, geometric, rounded, compact, clean.
A heavy, oblique sans with rounded construction and clean, mostly geometric curves. Strokes are thick and even, with minimal contrast and smooth joins that keep counters open despite the weight. The slant is consistent across capitals, lowercase, and numerals, giving the design a forward-leaning rhythm. Uppercase forms are sturdy and slightly compact, while lowercase shows simple, contemporary shapes with a single-storey “a” and “g” and generous, circular bowls.
This font is well suited to short, high-impact text such as headlines, logos, product marks, and promotional graphics where a sense of speed and strength is desired. It can work effectively for sports, fitness, and tech-adjacent branding, as well as packaging and poster design. For longer passages, it is likely best used sparingly as a display face rather than a primary text font.
The overall tone is assertive and kinetic, reading as contemporary and performance-minded. Its strong fill and pronounced slant add urgency and motion, while the rounded geometry keeps it friendly rather than harsh. The voice feels confident and promotional, suited to attention-grabbing headlines.
The design appears intended to deliver a bold, motion-forward sans voice with contemporary, rounded geometry. Its consistent oblique angle and simplified letterforms aim for instant recognition at large sizes, prioritizing impact, cohesion, and a modern, athletic feel.
Numerals are round and substantial, with the “0” and “8” especially full and smooth, and the “1” rendered as a straightforward oblique stem. Diagonals in letters like K, V, W, X, and Y are sharp and stable, reinforcing the energetic, directional feel. Spacing in the samples appears tight and headline-oriented, with letterforms designed to hold together as a solid typographic block.