Sans Other Rybuy 7 is a regular weight, narrow, medium contrast, upright, tall x-height font.
Keywords: display, headlines, posters, game ui, packaging, techno, futuristic, industrial, arcade, mechanical, tech branding, sci‑fi titling, modular geometry, interface tone, impactful display, rectilinear, rounded corners, squared counters, stencil-like, angular diagonals.
A condensed, rectilinear sans with softened corners and a mostly monoline stroke impression. Many forms are built from squared bowls and rounded-rectangle counters, giving letters a modular, engineered feel. Vertical stems are dominant, horizontals are short and crisp, and diagonals appear as sharp, straight joins (notably in K, V, W, X). Curves are largely minimized in favor of boxy geometry, with occasional small notches and open terminals that read slightly stencil-like in places. Numerals follow the same squared construction, with compact apertures and consistent rhythm across the set.
Best suited for display sizes where its geometric details and squared counters stay clear—headlines, posters, sci‑fi or tech branding, game/interface graphics, and product packaging with an industrial or digital theme. It can work for short bursts of text, but its condensed, modular rhythm is most impactful in titles and labels.
The overall tone is futuristic and utilitarian, evoking digital interfaces, sci‑fi titling, and industrial labeling. Its tight proportions and squared construction suggest speed, precision, and a slightly retro arcade aesthetic rather than warmth or traditional neutrality.
The design appears intended to deliver a distinctive, techno-leaning sans voice using modular, rounded-rectangle construction and tight proportions. It prioritizes a strong visual identity and a consistent engineered rhythm across letters and numerals for contemporary, interface-like applications.
Distinctive identifiers include a boxy O/0 with a narrow inner counter, an angular S built from stepped horizontals, and a W formed from sharp internal valleys rather than rounded joins. The lowercase keeps the same geometric logic, with compact, squared bowls and straightforward, vertical-driven structures that maintain a consistent mechanical cadence in text.