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Free for Commercial Use

Sans Normal Ankor 6 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'EquipCondensed' by Hoftype, 'TT Norms Pro' by TypeType, and 'Carnova' by Typotheticals (names referenced only for comparison).

Keywords: ui text, branding, headlines, signage, packaging, clean, modern, friendly, neutral, straightforward, versatility, clarity, modernity, systematic design, neutral tone, geometric, crisp, open, balanced, even.


Free for commercial use
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This is a clean, geometric sans with even stroke thickness and crisp terminals. Curves are built from smooth circular and elliptical forms, while straight strokes stay firm and vertical, creating a steady, uncluttered rhythm. Proportions feel balanced with open counters and moderate apertures, keeping letters like C, S, and G readable at a glance. The lowercase uses a simple single-storey a and g, with short, functional ascenders/descenders and compact joins that maintain consistent texture across words. Numerals are similarly plain and sturdy, matching the letters in stroke and spacing for cohesive settings.

It works well for interface labels, product copy, and general-purpose layouts where clarity and a modern tone are desired. The clean geometry and open forms also suit headlines and branding systems that need a dependable sans across print and screen, as well as signage where quick recognition matters.

The overall tone is modern and approachable without becoming playful. Its geometric construction and restrained details give it a neutral, utilitarian voice that can feel contemporary and calm, with a slight friendliness from the rounder bowls and open counters.

The design appears intended as a versatile geometric workhorse: straightforward letterforms, consistent stroke behavior, and restrained detailing aimed at clear reading and broad stylistic compatibility. It prioritizes neutrality and cohesion so it can support many visual identities without dominating the layout.

In text, the font holds an even color and predictable spacing, making it feel stable in longer lines. The punctuation and dots read clearly, and the character shapes avoid eccentric quirks, favoring consistency over personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸