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Free for Commercial Use

Sans Normal Lynik 9 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Delargo DT' by DTP Types, 'FF Mutual' by FontFont, 'Muller Next' by Fontfabric, 'Breno' and 'Morandi' by Monotype, 'Akwe Pro' by ROHH, and 'Ponder' by TypeUnion (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, playful, punchy, energetic, friendly, impact, motion, approachability, modernity, clarity, oblique, rounded, soft corners, compact apertures, large counters.


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This typeface is a heavy, oblique sans with broad proportions and smooth, rounded geometry. Strokes are consistently thick with minimal modulation, producing dense color and strong silhouette recognition. Curves are generously rounded and terminals are blunt, while apertures tend to be tight, giving letters like a, e, and s a compact interior rhythm. Uppercase forms feel sturdy and slightly squared in their joins, and the lowercase shows single-storey construction (notably a and g) with large counters and simplified shapes. Numerals match the weight and slant, with bold, rounded forms and clear, poster-oriented presence.

Best suited to display typography such as headlines, posters, and bold brand statements where its weight and slant can create impact. It works well for sporty or youth-oriented branding, packaging callouts, and promotional graphics that benefit from a strong, friendly voice. For long-form text, it is more appropriate in short bursts (pull quotes, labels, UI emphasis) than extended reading.

The overall tone is assertive and high-energy, with a sporty, contemporary feel. Its rounded construction keeps the voice approachable and friendly rather than severe, while the strong slant adds motion and urgency. The result reads as bold and upbeat, suited to messaging that wants to feel dynamic and confident.

The design appears intended to deliver maximum presence with a fast, forward-leaning stance, combining geometric simplicity with rounded forms for accessibility. It prioritizes strong, compact letterforms that remain legible in large, high-contrast applications while conveying motion and confidence.

Spacing appears fairly open for such a heavy style, helping individual glyphs stay distinct despite the dense stroke weight. The oblique angle is consistent across uppercase, lowercase, and figures, reinforcing a cohesive forward-leaning rhythm. The design favors simple, geometric construction over sharp detailing, which helps it hold together at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸