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Sans Normal Andir 1 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Izmir' by Ahmet Altun, 'Riveruta' by Andfonts, 'Madani' and 'Madani Arabic' by NamelaType, 'Gilroy' by Radomir Tinkov, 'Core Sans C' by S-Core, and 'Brahma' and 'Brahma Rounded' by Tall Chai (names referenced only for comparison).

Keywords: ui text, branding, editorial, signage, presentations, clean, modern, neutral, friendly, pragmatic, clarity, versatility, modern baseline, system consistency, geometric, rounded, even rhythm, high legibility, low contrast.


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A clean, geometric sans with rounded bowls and smooth circular curves throughout. Strokes are even and low-contrast, with crisp terminals and minimal modulation, giving the letterforms a straightforward, engineered feel. Proportions are balanced with open counters and generous apertures, helping letters stay distinct in both uppercase and lowercase. The figures are clear and utilitarian, with simple, stable shapes that align well alongside the text.

Well-suited to interface copy, product pages, and dashboards where clear, consistent letterforms matter. Its neutral geometry also works for contemporary branding systems, headings, and subheads, and it remains readable for short editorial passages and informational signage. The straightforward numerals support charts, labels, and data-adjacent typography.

The overall tone is modern and neutral with a friendly edge from the rounded geometry. It feels practical and contemporary rather than expressive, aiming for clarity and an unobtrusive voice. The consistent shapes and calm rhythm make it read as dependable and approachable.

The design appears intended as a general-purpose geometric sans that prioritizes clarity, consistency, and a modern visual baseline. It aims to deliver a clean typographic texture across mixed-case text and numerals without drawing attention away from content.

Round letters like O, C, and G lean strongly circular, while diagonals (A, V, W, X) are clean and sharp, creating a pleasing contrast between curves and angles. Lowercase forms keep a simple construction with sturdy stems and uncomplicated joins, supporting steady texture in paragraphs and UI-length strings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸