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Free for Commercial Use

Stencil Ukta 10 is a bold, narrow, low contrast, italic, tall x-height font visually similar to 'Korolev' by Device, 'FF DIN' and 'FF DIN Paneuropean' by FontFont, 'FS Industrie' by Fontsmith, and 'Headlines' by TypeThis!Studio (names referenced only for comparison).

Keywords: headlines, posters, logotypes, apparel, packaging, industrial, urgent, sporty, military, poster-like, impact, marking, motion, ruggedness, branding, slanted, condensed, blocky, angular, incised.


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A slanted, condensed display face with heavy, low-contrast strokes and sharply cut terminals. Letterforms are constructed from solid vertical masses and angled joins, interrupted by consistent stencil breaks that create narrow bridges through bowls and stems. Counters are tight and geometry is compact, producing a brisk rhythm and strong vertical emphasis. The lowercase is similarly forceful and upright in structure despite the overall slant, with simplified shapes that prioritize impact over delicacy; numerals follow the same broken-stroke logic for a cohesive set.

Best suited to headlines, posters, branding marks, and other display settings where a rugged stencil texture and strong slant can carry the message. It works well for sports graphics, industrial or tactical-themed packaging, apparel prints, and signage-style compositions that benefit from compact width and high impact.

The overall tone feels industrial and utilitarian, with an assertive, action-forward energy. The stencil cuts evoke marking, labeling, and equipment graphics, while the slant adds motion and urgency. It reads as tough and functional, suited to bold statements rather than quiet typography.

The design appears intended to merge a condensed italic display silhouette with unmistakable stencil construction, delivering a bold, branded texture that reads like marked or cut lettering. The consistent breaks and sturdy forms suggest a focus on visual punch and thematic character in short phrases and titles.

Stencil interruptions are prominent even at larger sizes and become a defining texture across words, especially in rounded letters where the breaks segment the bowls. Spacing appears tight and the condensed proportions amplify density in lines of text, making the face feel punchy and compact.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸