Sans Other Ifza 7 is a very bold, very narrow, low contrast, italic, tall x-height font visually similar to 'Ft feliux' by Fateh.Lab (names referenced only for comparison).
Keywords: posters, headlines, sports branding, apparel graphics, packaging, industrial, athletic, stencil, retro, urgent, high impact, space saving, graphic texture, stencil effect, display emphasis, condensed, slanted, heavy, segmented, oblique.
This typeface is a condensed, heavy oblique sans with a pronounced rightward slant and compact internal counters. Strokes are largely monolinear and sharply cut, with squared terminals and a streamlined, upright construction that has been pushed into an energetic italic posture. A defining feature is the recurring vertical split/slot cut through many forms, creating a quasi-stencil, segmented look while preserving strong silhouette recognition. Curves are tight and utilitarian, joins are crisp, and overall spacing reads compact and forceful in text.
Best suited to large sizes where the segmented construction becomes a deliberate graphic texture—such as posters, bold editorial headlines, sports or event branding, apparel marks, and packaging. It can also work for short UI labels or signage-style callouts when high impact is prioritized over quiet readability.
The tone is assertive and mechanical, combining a sporty, high-impact presence with an industrial stenciled edge. The repeated cut-ins add a sense of motion and grit, giving the face a poster-like urgency and a retro display attitude reminiscent of labeling, team graphics, and bold headline treatments.
The design appears intended to deliver maximum punch in a compressed footprint while adding recognizable character through a consistent split-stencil gesture. It aims to balance plain sans letterforms with a distinctive industrial interruption, creating a display face that feels fast, tough, and attention-grabbing.
The segmentation is applied consistently enough to feel systemic rather than decorative, and it introduces distinctive texture across lines of text. Uppercase forms read especially strong and emblematic, while the numerals maintain the same cut-through motif for a cohesive, display-forward set.