Sans Normal Ogpy 11 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Jarvis' by Alan Smithee Studio, 'BR Nebula' by Brink, 'Equip' and 'Galvani' by Hoftype, 'Interval Next' by Mostardesign, 'Carmen Sans' by StudioJASO, 'Gelder Sans' by The Northern Block, and 'Hazelton' by Type Royal (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, confident, friendly, modern, clean, direct, impact, clarity, approachability, modernity, simplicity, geometric, rounded, solid, open counters, high legibility.
A heavy, geometric sans with broad proportions and smooth, circular curves paired with sturdy verticals. Strokes are consistently thick with minimal modulation, producing a dense, even texture in text. Terminals are mostly blunt and square, while bowls and counters stay open and rounded; the lowercase shows single-storey forms (notably a and g) that reinforce a simplified, contemporary construction. Spacing reads generous for the weight, helping keep interior shapes clear, and the numerals follow the same robust, rounded logic for a cohesive set.
Best suited to display-driven applications such as headlines, posters, and brand marks where a bold, rounded geometric voice is desirable. It should also perform well for short blocks of text in UI or signage contexts where legibility and presence are priorities, especially at medium-to-large sizes.
The overall tone is confident and approachable, with a contemporary, no-nonsense clarity. Its big presence and rounded geometry feel friendly rather than severe, making it well suited to messages that need to be assertive while staying accessible.
The design appears intended to deliver a modern, highly legible sans with a strong footprint and simplified, geometric letterforms. It aims for straightforward communication and visual impact, balancing sturdy construction with rounded friendliness for versatile contemporary use.
In the sample text, the font maintains strong readability at large sizes, with distinctive uppercase silhouettes and clear differentiation between similar shapes like O/0 and I/1 through proportion and form. The heavy weight creates a strong visual anchor, and the consistent rhythm of curves and straight strokes keeps paragraphs looking orderly and stable.