Sans Faceted Anhu 3 is a very bold, wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, logos, game ui, album art, edgy, futuristic, industrial, playful, arcade, high impact, sci-fi styling, geometric identity, iconic silhouettes, angular, geometric, chiseled, high-contrast silhouette, all-caps friendly.
A sharply angular display face built from straight strokes and faceted planes, replacing curves with triangular cuts, notches, and chamfered corners. Strokes are consistently heavy and largely uniform, creating dense, high-impact letterforms with prominent internal counters shaped like wedges and diamonds. The geometry leans on diagonals and pointed terminals, with frequent cut-ins that carve negative space and give many glyphs a split, prismatic feel. Lowercase forms echo the same hard-edged construction, and figures follow the same faceted logic for a cohesive, symbol-like texture in lines of text.
Best suited to large-format display work where the faceted details can read cleanly—posters, title cards, packaging, and bold branding marks. It also fits entertainment and tech contexts such as game UI headings, sci‑fi themed graphics, event promos, and album or merch typography.
The overall tone is aggressive and energetic, with a distinctly synthetic, game-like edge. Its crystalline angles and knife-cut apertures evoke sci‑fi interfaces, metal band graphics, and arcade-era branding, while the exaggerated geometry adds a mischievous, stylized character.
The design appears intended to deliver maximum visual punch through a chiseled, planar construction—suggesting speed, precision, and a manufactured aesthetic. By standardizing the faceted language across letters and numbers, it aims to provide a cohesive, instantly identifiable voice for stylized display typography.
In text settings the repeated triangular counters create a lively rhythm and a strong black-and-white pattern, but the dense shapes and sharp intrusions can reduce clarity at smaller sizes. Spacing feels designed for impact rather than neutrality, and the distinctive silhouettes remain recognizable even when words are tightly set.