Sans Superellipse Olgel 4 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'FF Chambers Sans' by FontFont, 'Acto' by Monotype, 'Core Sans N SC' and 'Core Sans NR' by S-Core, 'Bitner' by The Northern Block, and 'Ranelte' by insigne (names referenced only for comparison).
Keywords: ui, signage, headlines, branding, packaging, modern, technical, friendly, clean, geometric, system design, clarity, modernity, approachability, geometric consistency, superelliptical, rounded, squared, monoline, compact.
A geometric sans built from superelliptical curves and rounded-rectangle counters, giving bowls and apertures a softly squared feel. Strokes are monoline with minimal modulation, and terminals are cleanly cut with rounded corners rather than sharp points. Proportions are compact and steady, with tall, straight-sided verticals and generous internal space in letters like O, D, and P, while curves resolve into flattened arcs that keep forms stable and engineered. Lowercase shapes stay simple and open, with single-storey a and g, a flat-shouldered r, and a squared, utilitarian t; numerals follow the same rounded-rect geometry with clear, sturdy silhouettes.
Well-suited to interface typography, product labels, and wayfinding where crisp, stable shapes and clear numerals matter. It also works effectively for headlines and brand systems that want a modern geometric flavor with softened edges for approachability.
The overall tone is contemporary and pragmatic, with a slightly playful softness from the rounded corners. It reads as efficient and system-like, but not cold—more approachable than a strictly circular geometric sans. The superellipse logic lends a tech-forward, product-interface sensibility while maintaining a calm, neutral voice in text.
The design appears intended to translate a rounded-rect, superellipse construction into a versatile everyday sans, balancing strict geometry with softened corners for readability and a friendly technological character.
Round letters tend to look subtly squarish, and diagonals (A, V, W, Y) feel disciplined rather than expressive, reinforcing a structured rhythm. Counters and joins stay uncluttered, supporting clarity at larger display sizes and in tight UI layouts.