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Free for Commercial Use

Sans Normal Odrur 1 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Ausgen' by Andfonts, 'Heavitas Neue' by Graphite, 'Passenger Sans' and 'Passenger Sans Cyrillic' by Indian Type Foundry, 'Inerta' by Mint Type, and 'Mundial Narrow' by TipoType (names referenced only for comparison).

Keywords: posters, logos, packaging, signage, headlines, confident, friendly, industrial, sporty, headline, high impact, approachability, modern branding, clear signage, rounded, blocky, compact, sturdy, high-impact.


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A very heavy, rounded sans with compact proportions and large counters that keep the shapes open despite the dense weight. Curves are built from broad, near-circular bowls with softened joins, while terminals tend to be flat and squared, giving a sturdy, block-like silhouette. The uppercase is wide and stable with simple geometry, and the lowercase follows the same robust construction with short, minimal extenders. Figures are bold and simplified for quick recognition, matching the overall even rhythm and strong color on the page.

Best suited for short, high-impact settings such as posters, brand marks, packaging fronts, and wayfinding or retail signage. It performs well in large sizes where its rounded geometry and strong shapes can carry a clear, punchy message; for long passages, it will feel dense and attention-grabbing rather than quiet.

The font reads as assertive and upbeat, with a friendly softness from its rounded curves balanced by a tough, utilitarian build. It suggests contemporary sports, packaging, and bold signage—communicating energy and reliability more than refinement or delicacy.

The design appears intended to deliver maximum impact with a modern, approachable tone—pairing simplified geometric forms with softened curves to stay friendly while remaining bold and highly visible.

In text, the heavy strokes create a strong typographic “wall,” so spacing and counters play an important role; the design maintains legibility by keeping interior spaces relatively generous. The overall feel is cohesive and geometric, with consistent curvature and minimal ornamentation throughout.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸