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Free for Commercial Use

Sans Superellipse Hiduj 6 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Angela Love Sans' by Fargun Studio, 'Miguel De Northern' by Graphicxell, 'Armetica' by Hsan Fonts, and 'Moneer' by Inumocca (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, branding, compact, assertive, industrial, utilitarian, poster-ready, space-saving impact, bold presence, modern geometry, headline clarity, condensed, blocky, squared-round, sturdy, high-contrast (ink-to-uc.


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A tightly set, heavy display sans with condensed proportions and a squared-round (superellipse) construction. Strokes are consistently thick with minimal modulation, and corners are broadly rounded, producing rectangular counters and softened terminals. Uppercase forms are tall and compact; lowercase follows the same compact rhythm with small apertures and sturdy joins. The overall texture is dense and dark, with short extenders and a strong, uniform vertical emphasis that stays crisp in large settings.

Best suited to headlines, posters, signage, packaging, and bold brand marks where a compact footprint and high visual mass are advantages. It can work for short UI labels or badges when size is sufficient, but dense strokes and tight apertures make it less appropriate for long-form text or small captions.

The tone is bold and no-nonsense—compact, forceful, and a bit industrial. Its rounded-rectangle geometry adds a friendly softness to an otherwise stern, authoritative voice, making it feel modern and utilitarian rather than classic or elegant.

The design appears intended to deliver maximum impact in minimal horizontal space, using a consistent rounded-rectangle skeleton to keep forms cohesive and contemporary. Its geometry prioritizes solidity, legibility at display sizes, and a strong, modern presence.

Wide, rectangular counters (notably in O/0 and B) and tight internal spaces give the face a strong “ink trap–free” solidity, but also mean it will prefer generous tracking and larger sizes. Numerals match the headline energy with similarly compact widths and simplified shapes; the overall spacing appears tuned for impact rather than airy readability.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸