Sans Normal Otmur 10 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Nexa' by Fontfabric, 'Core Sans N SC' and 'Core Sans NR' by S-Core, 'SK Reykjavik' by Salih Kizilkaya, 'Few Grotesk' by Studio Few, and 'Mundial' by TipoType (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, logos, playful, retro, sporty, friendly, quirky, display impact, brand character, dynamic tone, shape separation, rounded, slanted, soft corners, ink-trap cuts, open apertures.
A rounded, slanted sans with sturdy, even stroke weight and softened terminals. Many letters show distinctive wedge-like cut-ins and notches at joins and near bowls, creating an “ink-trap” style texture that breaks up the mass in bold shapes. Curves are generous and circular, counters stay relatively open, and the overall construction feels geometric but relaxed rather than rigid. Spacing and widths vary by glyph, giving the line a lively, slightly bouncy rhythm in text.
Best suited to display use such as headlines, posters, branding, packaging, and logo wordmarks where the cut-in details can be appreciated. It can also work for short UI labels or social graphics when a friendly, energetic voice is desired, though the stylized joins suggest avoiding very small sizes for longer passages.
The overall tone is upbeat and informal, with a sporty, late-20th-century feel. The cut-in details add character and a touch of quirkiness, keeping it from reading as purely utilitarian. It comes across as friendly and energetic, suited to attention-grabbing, approachable messaging.
The design appears intended to merge geometric roundness with a dynamic slant and distinctive cut-in detailing, delivering a bold, modern voice with retro-sport character. The notched joins likely aim to improve shape separation while also functioning as a signature stylistic motif.
The numerals and round letters emphasize circular forms, while diagonals and joins carry consistent slant and rounded shaping. The distinctive notches are a key identifying feature and become more noticeable at larger sizes, where they read as intentional styling rather than purely functional apertures.