Sans Normal Lybor 15 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Bio Sans' and 'Bio Sans Soft' by Dharma Type, 'Ciutadella Display' by Emtype Foundry, 'Corelia' by Hurufatfont, 'Core Sans E' by S-Core, and 'NeoGram' by The Northern Block (names referenced only for comparison).
Keywords: headlines, posters, sports branding, promotions, packaging, sporty, assertive, energetic, modern, confident, impact, speed, branding, emphasis, clarity, slanted, heavy, compact, rounded, geometric.
A heavy, right-slanted sans with broad, rounded strokes and smooth, low-contrast construction. Counters are generously open for the weight, with circular and oval forms dominating letters like O, Q, and the bowls of B and P. Terminals are clean and largely blunt, while diagonals (V, W, X, Y) are wide and muscular, creating a strong forward rhythm. The lowercase shows single-storey a and g, a sturdy, rounded-shoulder n/m, and a compact, tightly built texture in running text; the numeral set appears similarly robust with rounded curves and solid verticals.
This font is best suited to display sizes where its mass and slant can carry emphasis—headlines, poster typography, promotional graphics, and bold packaging callouts. It also fits sports and active-lifestyle branding, as well as UI moments that need strong, immediate hierarchy such as banners, hero text, or short labels.
The overall tone reads bold and kinetic, projecting speed and impact through its strong slant and thick silhouettes. It feels contemporary and performance-oriented, with a direct, no-nonsense voice suited to attention-grabbing messaging.
The design appears intended to deliver a high-impact italic sans that combines geometric roundness with strong, compact strokes, prioritizing punchy visibility and a sense of motion. Its consistent, rounded construction suggests a goal of reliable, modern display performance rather than delicate detail.
Spacing and joins are tuned for dense, punchy set text: interior spaces stay clear despite the weight, and shapes remain consistent across curves and diagonals. The italic angle is pronounced enough to signal motion, while maintaining a stable baseline and legible counters.