Sans Superellipse Tidez 3 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Harman' by Ahmet Altun, 'Chamelton' by Alex Khoroshok, 'Transcript' by Colophon Foundry, 'Potomac' by Context, 'Colatera Soft' by Maulana Creative, and 'Eloque' by Prestigetype Studio (names referenced only for comparison).
Keywords: headlines, posters, packaging, stickers, social ads, rugged, friendly, handmade, punchy, casual, handmade feel, high impact, approachability, tactile print, rounded, blunt, chunky, textured, soft-cornered.
A heavy, rounded sans with compact proportions and softly squared curves. Strokes are thick and generally monoline, but with subtle irregularities that create a slightly inked or stamped texture along edges and terminals. Counters are open and generously sized for the weight, and joins are blunt and sturdy. The overall rhythm is lively rather than strictly geometric, with small variations in stroke contour that keep repeated shapes from feeling mechanical.
Best suited for short, high-impact text such as headlines, posters, packaging, and bold labels where its chunky forms and textured edges can be appreciated. It also works well for playful branding, merch, and social graphics, but the rough finish may feel busy in long passages or at very small sizes.
The font reads warm, approachable, and a bit rough-around-the-edges—more like a screen print or rubber stamp than polished signage. Its chunky shapes and softened corners give it a playful, friendly tone, while the textured finish adds grit and handmade character.
The design appears intended to combine a rounded, sturdy sans skeleton with a deliberate handmade/printed texture, aiming for high visibility and an informal, personable voice. It prioritizes character and punch over precision, evoking a crafted, tactile impression.
Round letters (like O, C, G) lean toward rounded-rectangle construction, and many terminals finish with flattened ends rather than crisp cuts. In the sample text, the texture becomes more apparent at larger sizes, where edge wobble and ink-like fill variation contribute to an intentionally imperfect look.