Sans Superellipse Timir 4 is a very bold, narrow, medium contrast, upright, tall x-height font visually similar to 'ATF Alternate Gothic' and 'ATF Railroad Gothic' by ATF Collection and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: posters, headlines, packaging, labels, merchandise, industrial, stamped, rugged, bold, playful, impact, distressed look, space-saving, poster voice, packaging tone, rounded corners, soft terminals, textured edge, condensed, blocky.
A compact, heavy sans with rounded-rectangle construction and softly cornered joins. Strokes are thick and fairly even, with slightly irregular, distressed edges that create a stamped/inked texture rather than crisp geometry. Counters are small but consistently open, and the lowercase shows a tall x-height with short extenders, giving dense lines and a strong typographic color. Overall spacing reads tight and efficient, with subtle width differences across letters that keep the rhythm lively while maintaining a cohesive, blocky silhouette.
Best suited to display settings where its heavy weight and textured edge can be appreciated—posters, big headlines, product packaging, stickers, and apparel graphics. It can also work for short callouts or UI badges when a rugged, stamped character is desired, but it will be less effective for long passages at small sizes due to dense strokes and tight counters.
The texture and chunky proportions evoke a workwear, poster, and packaging sensibility—assertive and practical, with a hint of handmade grit. It feels energetic and approachable rather than refined, leaning toward bold messaging, labels, and attention-grabbing headings.
The design appears intended to combine a condensed, rounded-rect sans foundation with a consistent distressed finish, producing a strong, high-impact voice that feels printed, stamped, or screen-inked. The tall lowercase proportions and compact widths prioritize space-efficient emphasis and quick readability in bold display contexts.
Round letters like O/Q read as squarish superellipses, reinforcing a sturdy, utilitarian tone. The distressed perimeter is consistent across caps, lowercase, and numerals, so the roughness reads as a deliberate stylistic layer rather than random noise.