Sans Superellipse Jidek 10 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'Cybersport' by Anton Kokoshka, 'EFCO Fairley' by Ephemera Fonts, and 'Aspire Narrow' and 'Mercurial' by Grype (names referenced only for comparison).
Keywords: headlines, branding, posters, signage, packaging, tech, industrial, retro, assertive, utilitarian, impact, modular geometry, system feel, hardware aesthetic, rounded corners, squared bowls, compact apertures, blocky, stencil-like.
A blocky geometric sans built from rounded-rectangle forms, with consistently softened corners and squared counters. Strokes are heavy and even, producing a dense, compact color, while curves resolve into superellipse-like arcs rather than true circles. Apertures are relatively tight and terminals are mostly flat, giving letters a machined, modular feel. The lowercase is sturdy and simple with minimal modulation, and figures follow the same squarish, rounded logic for strong consistency across the set.
Well-suited to headlines, logos, and short display copy where a strong, compact silhouette is beneficial. It can perform effectively in signage, labels, and packaging where quick recognition and an engineered feel are desired. For long-form text, it will likely work best at larger sizes or with generous spacing to avoid a heavy, closed-in texture.
The overall tone reads technical and industrial, with a confident, no-nonsense presence. Its rounded-square geometry also lends a retro digital flavor—suggesting control panels, arcade-era graphics, and hardware labeling—while staying clean and contemporary.
The design appears intended to deliver a robust, system-like voice through rounded-rectilinear construction and uniform stroke weight. Its consistent superellipse geometry suggests an aim for a cohesive, modular aesthetic that stays legible and impactful in display contexts.
Round characters like O/Q and 0 are notably squarish with generous corner radii, reinforcing the superelliptic theme. Diagonals (A, K, V, W, X, Y, Z) are crisp but still feel integrated because joins and corners maintain the same softened treatment. The punctuation and spacing in the sample text suggest the design favors bold, compact word shapes over airy readability at very small sizes.