Sans Other Furi 3 is a very bold, normal width, medium contrast, upright, tall x-height font.
Keywords: posters, headlines, logotypes, packaging, event graphics, industrial, brutalist, playful, retro, techno, impact, stylization, display, signage, distinctiveness, blocky, geometric, angular, stencil-cut, compact.
A heavy, block-built sans with tall lowercase proportions and tightly controlled counters. Forms are constructed from straight, slab-like strokes with squared terminals and frequent triangular notches or slit-like cut-ins that read as intentional “carved” details rather than soft apertures. Curves are minimized and, where present, are treated as flattened, angular approximations, giving the alphabet a rigid, modular rhythm. Spacing appears firm and compact, and the overall texture is dense, producing strong silhouettes and high impact at display sizes.
Best suited to display applications where strong silhouette and graphic texture are desired, such as posters, album/cover art, sports or entertainment headlines, packaging, and bold wordmarks. It can also work for short UI labels or section headers when used at sufficiently large sizes and with generous line spacing to preserve the cut-in detailing.
The font projects a gritty, industrial energy with a slightly mischievous, arcade-like edge. Its cut-in details and chunky geometry feel engineered and synthetic, evoking utilitarian signage, bold poster lettering, and retro-futurist aesthetics. The tone is assertive and attention-grabbing, with a stylized rough-cut character that keeps it from feeling purely neutral.
The design intention appears to be a highly impactful, stylized sans that merges blocky signage strength with deliberate cut-out accents for character and recognizability. It prioritizes visual punch and a distinctive constructed look over conventional text neutrality, aiming to create an instantly identifiable typographic voice.
The distinctive internal slits and notched joins create a stencil-like impression and add motion to otherwise rectangular forms. Because of the dense black mass and narrow internal openings, small sizes may lose some interior definition, while larger sizes emphasize the graphic cut details and the strong, rectangular rhythm.