Slab Contrasted Ugra 6 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'FF Kievit Slab' and 'FF Milo Slab' by FontFont, 'Rooney' by Jan Fromm, 'St Marie' by Stereotypes, and 'Adelle' and 'LFT Etica Sheriff' by TypeTogether (names referenced only for comparison).
Keywords: headlines, posters, packaging, branding, signage, sturdy, retro, confident, friendly, editorial, impact, heritage feel, display readability, brand voice, blocky, bracketed, ink-trap feel, soft corners, compact bowls.
A heavy, slab-serif design with broad proportions, compact counters, and clearly bracketed serifs that read as rectangular blocks rather than hairlines. Stroke contrast is present but restrained, with thick verticals and slightly tapered joins that keep the texture from becoming monotone. Curves are generously rounded while terminals stay blunt, creating a mix of softness and solidity; joins on letters like a, g, and s feel slightly scooped, hinting at ink-trap-like notches. The lowercase is robust and sturdy, with a single-storey a and g, short-to-moderate ascenders, and dense rhythm that holds together well in headline sizes.
This font suits large-scale display work where strong presence is needed: headlines, posters, covers, and bold editorial callouts. It can also support branding, packaging, and signage that benefit from a sturdy, vintage-leaning slab-serif voice.
The overall tone is bold and dependable, evoking classic print and storefront typography while still feeling approachable. Its chunky slabs and rounded curves convey warmth and confidence, with a subtly nostalgic, poster-ready character.
The design appears intended to deliver maximum impact with a traditional slab-serif foundation, combining blocky serifs and rounded construction to stay readable and personable at display sizes. Its controlled contrast and dense shapes suggest a focus on confident, print-forward typography rather than delicate refinement.
The numerals and capitals appear especially weighty and stable, with strong horizontal emphasis and minimal delicacy, making the face feel authoritative. The design’s large black shapes and tight interior spaces suggest it will look best when given enough size and breathing room rather than in small, text-heavy settings.