Sans Superellipse Orgej 3 is a very bold, very narrow, medium contrast, upright, normal x-height font visually similar to 'Akkordeon' by Emtype Foundry, 'Benton Sans' and 'Benton Sans Std' by Font Bureau, 'CF Blast Gothic' by Fonts.GR, 'Champion Gothic' by Hoefler & Co., 'Pool Deck JNL' by Jeff Levine, and 'Dilemma' by Sudtipos (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, condensed, industrial, punchy, assertive, retro, space-saving impact, poster utility, industrial clarity, retro flavor, blocky, square-rounded, compact, high-impact, sturdy.
A compact, vertically oriented sans with tightly set proportions and dense, even strokes. Curves are built from rounded-rectangle geometry, giving bowls and counters a squarish, superellipse feel rather than true circles. Terminals are mostly flat and decisive, with minimal modulation and a consistent, engineered rhythm across caps, lowercase, and numerals. The overall silhouette reads tall and compressed, optimized for strong vertical presence and efficient horizontal space usage.
Well suited to headlines, posters, and short copy where compact width and high visual density are advantages. It can work effectively for branding, packaging, and wayfinding-style applications that benefit from a sturdy, condensed voice. For continuous reading, it will be most comfortable at larger sizes where the tight counters and compressed forms have room to breathe.
The tone is bold and no-nonsense, with an industrial, poster-like directness. Its squared rounding and compact width evoke a retro athletic or utilitarian signage vibe while still feeling contemporary and clean. The overall impression is assertive and attention-grabbing rather than delicate or literary.
The design appears intended to deliver maximum impact in minimal horizontal space, pairing a condensed structure with rounded-rectangular curves for a distinctive, engineered personality. It prioritizes bold presence, consistent stroke economy, and a cohesive, display-centric texture across letters and figures.
Counters tend to stay relatively narrow, which reinforces the dense, stacked color in text. The numerals follow the same condensed, blocky logic and maintain a uniform, display-forward weight distribution. In longer lines, the type creates a strong vertical cadence and a tightly packed texture.