Sans Other Ipni 2 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Heavitas Neue' by Graphite; 'Dress Code' by Larin Type Co; 'Modica' by Monotype; 'Cogenta', 'Cogenta', and 'Cogenta Text' by SRS Type; 'Carmen Sans' by StudioJASO; and 'Arboria' by Type-Ø-Tones (names referenced only for comparison).
Keywords: headlines, posters, branding, logos, packaging, futuristic, playful, confident, techy, boldly graphic, distinctiveness, display clarity, motif-driven, modernity, geometric, split-stroke, stencil-like, graphic, high-impact.
A sturdy, geometric sans with broad proportions and a compact, highly graphic silhouette. Many characters feature a consistent horizontal interruption through the middle, creating a distinctive split-stroke look that remains uniform across capitals, lowercase, and figures. Curves are smooth and fairly circular, terminals are clean and blunt, and overall spacing appears generous enough to keep the dark shapes readable despite the decorative cuts.
Best suited to display sizes where the split-stroke detail can be appreciated: logos, brand wordmarks, packaging, posters, headlines, event graphics, and UI hero text. It can also work for short subheads or labels where a distinctive voice is desired, but the midline interruptions may become visually busy in long-form body text at smaller sizes.
This typeface feels modern and punchy, with a playful, slightly futuristic edge. The repeated midline “cut” motif introduces a sense of motion and disruption that reads as tech-forward and graphic, while the heavy weight keeps the tone confident and assertive.
The design appears intended to deliver instant recognizability through a systematic midline break that functions like a signature motif. It aims for strong display performance—large, clear forms with consistent geometry—while adding visual texture that differentiates it from conventional sans designs.
The midline cuts intersect counters and apertures (notably in rounded letters and figures), producing a consistent “sliced” rhythm across the alphabet. Numerals and capitals look especially strong and uniform, giving the face a solid, modular presence in all-caps settings.