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Sans Other Utly 1 is a bold, normal width, monoline, upright, normal x-height font.

Keywords: headlines, branding, posters, packaging, titles, playful, retro-futurist, modular, friendly, quirky, distinctive branding, modular system, retro modernity, display impact, rounded, stencil-like, segmented, soft corners, open apertures.


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A rounded, segmented sans with monoline strokes and prominent terminal rounding. Letterforms are constructed from separated strokes and curved segments, producing frequent intentional gaps that give a stencil-like, modular feel. Counters tend to be open or partially interrupted (notably in C, G, S, and several lowercase forms), and curves are drawn with smooth, even radii. The overall rhythm is wide and airy despite the heavy stroke presence, with simplified joins and occasional asymmetric detailing (such as the Q tail and the broken diagonals in K/X/Y). Numerals follow the same segmented logic, with soft, geometric shapes and clear, high-contrast silhouettes at display sizes.

Best suited to headlines, logos, short statements, and large-format typography where the segmented construction can be appreciated. It works well for branding in tech, lifestyle, and entertainment contexts, and for posters or packaging that aim for a playful retro-modern tone. For longer text, it is likely most effective in short bursts or at larger sizes to preserve legibility.

The font reads as cheerful and design-forward, mixing a soft, friendly geometry with a techy, constructed personality. Its deliberate breaks and rounded ends evoke mid-century sci‑fi and contemporary modular branding, giving text a distinctive, slightly whimsical cadence.

The design appears intended to reinterpret a clean sans through a modular, broken-stroke construction, prioritizing distinctive identity and visual rhythm over conventional continuity. Rounded terminals and consistent stroke logic suggest a focus on friendly approachability while maintaining a stylized, engineered aesthetic.

Because many glyphs rely on gaps and separated parts, the design benefits from generous size and spacing; at smaller settings the breaks can visually merge or reduce clarity. The distinctive construction is highly consistent across uppercase, lowercase, and figures, lending a cohesive system-like feel.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸