Sans Superellipse Felor 10 is a very bold, very narrow, low contrast, italic, normal x-height font visually similar to 'Albireo' by Cory Maylett Design, 'Cairoli Classic' and 'Cairoli Now' by Italiantype, 'Frothing' by Sensatype Studio, 'Entropia' by Slava Antipov, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, editorial display, sporty, urgent, industrial, retro, assertive, space saving, high impact, speed cue, modern geometry, brand emphasis, condensed, forward-leaning, compact, angular, tightly spaced.
A compact, forward-leaning sans with dense proportions and a distinctly condensed rhythm. Strokes are heavy and largely uniform, with rounded-rectangle counters and softened corners that keep the texture smooth despite the aggressive slant. Letterforms are built from tall verticals and brisk diagonals, with cropped terminals and minimal modulation, producing a tight, dark typographic color. Numerals share the same blocky, streamlined construction, reading clearly at display sizes with a poster-like solidity.
Best suited to high-impact display settings such as headlines, posters, sports and athletic branding, and attention-grabbing packaging. The condensed build makes it effective where space is limited but strong presence is required, and it can add urgency and motion to editorial callouts, promos, and event graphics.
The overall tone feels fast and forceful, with a kinetic, “in-motion” stance that suggests speed and impact. Its compressed width and strong fill create an urgent, competitive voice that can also read as utilitarian and workmanlike. The superelliptical rounding adds a subtle modern polish, keeping the effect bold without becoming harshly mechanical.
The design appears intended to deliver maximum impact in a narrow footprint while maintaining clean, contemporary geometry. Its consistent slant and rounded-rectangle construction suggest a focus on speed, economy of space, and strong visual branding at larger sizes.
The italic angle is substantial and consistent across caps, lowercase, and figures, giving lines of text a strong directional pull. Curved letters (like C, O, S) retain boxy, rounded counters, creating a distinctive geometric signature compared to more humanist slanted sans styles.