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Stencil Esma 10 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Hudson NY Pro' by Arkitype, 'Joe College NF' by Nick's Fonts, 'Gemsbuck Pro' by Studio Fat Cat, 'Refuel' by Typodermic, and 'Radley' by Variatype (names referenced only for comparison).

Keywords: posters, signage, packaging, headlines, branding, industrial, utilitarian, military, mechanical, retro, marking, durability, impact, legibility, blocky, condensed, angular, monoline, stenciled.


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A heavy, block-constructed stencil with mostly monoline strokes and squared-off terminals. Forms are compact and slightly condensed, with rounded internal corners on some curves and consistent stencil breaks that create vertical and horizontal bridges through bowls and counters. The rhythm is tight and vertical, with strong straight stems, simplified geometry, and minimal modulation, giving the characters a sturdy, engineered presence. Numerals and capitals share the same robust structure, and the lowercase follows the same built-from-blocks logic with clear, punched-out apertures.

Well-suited for bold headlines, posters, and short text where a strong stencil identity is desirable. It fits industrial or tactical-flavored branding, product packaging, labels, and wayfinding-style signage, especially when you want a stamped or cut-metal aesthetic.

The overall tone is functional and no-nonsense, evoking equipment markings, packaging codes, and industrial signage. Its repetitive stencil bridges add a rugged, manufactured feel that reads as authoritative and practical rather than decorative.

The design appears intended to translate classic stencil construction into a compact, modern display voice, emphasizing durability and repeatable structure. Its consistent bridges and pared-down geometry suggest a focus on high-impact identification—like marking, labeling, or commanding attention in large sizes.

The stencil breaks are prominent enough to become a defining texture in running text, creating a distinctive pattern of interruptions through counters (notably in rounded letters and numerals). The condensed proportions help produce dense, impactful headlines, while the simplified shapes prioritize a strong silhouette over fine detail.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸