Sans Faceted Beje 6 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Divenire' by CAST, 'FF Good' by FontFont, 'Brignell Square' by IB TYPE Inc., 'Byker' by The Northern Block, and 'Obvia' by Typefolio (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sports branding, industrial, assertive, retro, playful, high impact, geometric stylization, logo emphasis, display clarity, blocky, angular, chamfered, faceted, compact spacing.
A heavy, block-built display sans with crisp planar facets that replace most curves. Strokes terminate in sharp chamfers and clipped corners, producing a consistent polygonal silhouette across rounds like C, O, and S. Counters are compact and often squarish, with small apertures and tight internal space in letters such as e and a. The rhythm is sturdy and slightly irregular in its geometry, with straight-sided stems, wedge-like diagonals, and a generally compact feel despite the broad letterforms.
Best suited for headlines and short display copy where its faceted shapes can be appreciated at larger sizes. It also works well for bold branding marks, packaging panels, event posters, and sports or team-style graphics where strong silhouette and compact counters help maintain punch.
The faceted construction and dense black presence give the face a tough, industrial attitude with a hint of retro arcade and cut-paper playfulness. Its angularity reads energetic and attention-seeking rather than refined, making it feel bold, blunt, and graphic.
The design appears intended to deliver maximum visual impact through a simplified, chiseled geometry—turning traditional sans forms into planar, cut-corner shapes that feel engineered and graphic. The goal seems to be a distinctive, high-energy display voice that stays legible while emphasizing silhouette over fine detail.
The alphabet shows clear, differentiated forms (notably the angular bowls and clipped terminals), and the numerals follow the same polygonal logic with prominent corners and reduced curvature. In text, the heavy color and tight counters create strong impact, while long passages can feel dense at smaller sizes.