Sans Normal Onbeg 2 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Epoca Pro' by Hoftype, 'Sana Sans' by Latinotype, 'Priva' and 'Priva Pro' by Monotype, 'Akagi' and 'Akagi Pro' by Positype, and 'Libertad' by TipoType (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, ui, modern, friendly, confident, clean, approachable, clarity, impact, modern branding, legibility, geometric, rounded, open apertures, large counters, even rhythm.
A solid, geometric sans with rounded bowls and generous counters that keep forms clear at heavy weight. Strokes are even and largely monolinear, with clean, squared terminals and minimal modulation. Curves are smoothly drawn and circular in feel, while diagonals (as in A, V, W, X, Y) are sturdy and stable. The lowercase shows a straightforward, contemporary construction with a single-storey a and g, compact shoulders, and open apertures that support legibility in display sizes. Numerals are wide and prominent, matching the letterforms’ weight and curvature for a cohesive texture.
Well-suited to headlines, logos, and brand systems that need a strong, contemporary sans with friendly geometry. It should also perform well in short UI labels and product packaging where clarity and impact are more important than delicate detail, especially at medium-to-large sizes.
The overall tone is contemporary and approachable, projecting a confident, no-nonsense presence without feeling rigid. Its rounded geometry and open shapes add a friendly, consumer-facing character suited to modern branding and interface environments.
The design appears intended as a versatile, geometric display sans that balances bold presence with approachable shapes. Its consistent stroke weight, round construction, and open counters suggest a focus on clarity, modernity, and dependable readability in prominent text settings.
The sample text demonstrates strong color and consistent spacing, producing an even, high-impact typographic block. Round letters (O, C, G, Q) read particularly smooth and balanced, while the punctuation and figures hold the same visual gravity as the capitals, reinforcing a cohesive display voice.