Sans Normal Omdiv 7 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Sinova' by Linotype, 'Interval Next' by Mostardesign, 'Modet' by Plau, and 'Comenia Sans' by Suitcase Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, modern, friendly, confident, clean, functional, impact, clarity, modernity, approachability, versatility, geometric, rounded, sturdy, open counters, large apertures.
A heavy, geometric sans with round, smoothly drawn curves and broadly consistent stroke weight. The forms lean on circular construction in letters like O, C, and G, paired with straight-sided, squared-off terminals in E, F, L, and T, producing a crisp, contemporary rhythm. Counters are generous and apertures read clearly (notably in c, e, and s), supporting clarity at larger sizes. Lowercase proportions feel compact and sturdy, with a single-storey a and g and simple, utilitarian joins; numerals are similarly robust with straightforward, highly legible shapes.
This face is well suited to headlines, display typography, and branding where a strong, friendly geometric voice is needed. Its open shapes and sturdy construction also make it a good candidate for short UI labels, packaging callouts, and signage that benefits from quick recognition at a glance.
The overall tone is modern and approachable, balancing friendliness from rounded geometry with a confident, no-nonsense weight. It feels contemporary and practical rather than delicate or ornamental, with an energetic presence that suits attention-grabbing settings.
The design appears intended to deliver a contemporary geometric sans with strong presence and straightforward readability. By pairing rounded construction with crisp terminals and ample internal space, it aims for a versatile, modern look that performs reliably in prominent text.
The design maintains a consistent, even color in text, with minimal modulation and clean intersections that keep shapes from appearing fussy. Curves and straights are harmonized so that round letters don’t look overly soft compared to the more rectilinear glyphs, helping paragraphs retain a steady texture.