Sans Superellipse Odda 7 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Black Square' by Agny Hasya Studio and 'FX Ambasans' by Differentialtype (names referenced only for comparison).
Keywords: headlines, logotypes, posters, packaging, ui display, tech, futuristic, industrial, sporty, arcade, display impact, tech aesthetic, geometric cohesion, brand presence, rounded corners, squarish, geometric, compact, chunky.
A heavy, geometric sans built from rounded-rectangle forms with consistently softened corners and broad, flat terminals. Counters tend toward squarish ovals, and curves transition with a superelliptical feel rather than true circles. The overall rhythm is blocky and stable, with short apertures and sturdy joins that keep shapes compact and dense. Numerals and capitals read especially solid, while diagonals (V, W, X) are thick and controlled, maintaining the same rounded-corner logic across the set.
Best suited to large-scale typography where its compact counters and rounded-rectangular construction can be appreciated—headlines, titles, wordmarks, product names, and bold packaging callouts. It also fits interface display roles such as dashboards, game menus, and tech-themed graphics where a robust, geometric presence is desirable.
The tone is modern and machine-like, with an unmistakably digital, game-UI energy. Its chunky geometry and softened corners balance toughness with approachability, suggesting sci‑fi interfaces, sports branding, and contemporary tech styling.
The font appears designed to deliver a strong, contemporary display voice by combining industrial heaviness with rounded, superelliptical geometry. Its consistent corner rounding and squared counters prioritize a cohesive, engineered look that stays readable while projecting a futuristic identity.
The design leans on squircle-like contours and minimal modulation, creating a strong silhouette at display sizes. The lowercase echoes the same squared-round construction, giving text a uniform, engineered texture; the result can feel dense in longer passages but highly distinctive in headlines.