Sans Superellipse Akvo 5 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'EFCO Fairley' by Ephemera Fonts, 'PODIUM Sharp' by Machalski, 'Brainy Variable Sans' by Maculinc, 'Nulato' by Stefan Stoychev, 'Gemsbuck Pro' by Studio Fat Cat, and 'Hockeynight Sans' by XTOPH (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, industrial, technical, condensed, utilitarian, modern, space saving, strong presence, systematic geometry, clarity, square-rounded, high contrast (shape), compact, crisp, blocky.
This typeface is a compact, squared sans with rounded-rectangle (superellipse) curves and consistently heavy strokes. Counters are tight and geometric, with corners softened rather than fully circular, creating a sturdy, engineered silhouette. Vertical stems dominate, horizontals feel clipped and efficient, and terminals are mostly straight with gently radiused joins. The overall rhythm is dense and uniform, with clear, low-friction shapes that hold up well at small-to-medium sizes.
Best suited for punchy headlines, compact posters, and branding that needs a strong, engineered voice. The condensed, squared forms work well for signage, labels, and packaging where space is limited but legibility must remain robust. It can also serve UI or dashboard-style typography for short strings, badges, and navigation elements.
The tone is practical and industrial, with a contemporary, technical feel. Its squared geometry and compressed stance suggest signage and equipment labeling rather than expressive or delicate typography. Overall it reads as confident, no-nonsense, and slightly retro-futuristic.
The design appears intended to deliver maximum impact and clarity in a compact width, using a consistent rounded-rectangle geometry to keep letterforms coherent and modern. Its heavy, streamlined construction prioritizes strong presence and repeatable shapes across letters and numerals.
Round letters like O, Q, and 0 appear as squarish ovals with softened corners, reinforcing the superellipse construction across the set. Diagonals (A, V, W, X, Y) are steep and compact, helping maintain a tight footprint. Numerals are similarly boxy and consistent in color, supporting information-dense layouts.