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Free for Commercial Use

Sans Contrasted Fyke 3 is a very bold, very wide, high contrast, italic, tall x-height font visually similar to 'Maximum' by Device, 'Hubba' by Green Type, 'Fierd' by Locomotype, 'Muscle' by Positype, and 'Kreak Display' by Tebaltipis Studio (names referenced only for comparison).

Keywords: sports branding, racing graphics, esports, posters, headlines, sporty, futuristic, aggressive, high-energy, technical, impact, speed, modernity, power, display, oblique, extended, slabbed, rounded corners, ink traps.


Free for commercial use
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This typeface uses a heavily slanted, extended structure with compact counters and prominent stroke modulation. Letterforms are built from squared, geometric shapes with rounded outer corners, creating a machined, aerodynamic silhouette. Many glyphs feature sharp interior notches and tapered joins that read like purposeful cut-ins, helping open tight apertures at display sizes. The rhythm is dense and forward-leaning, with short crossbars, flattened curves, and consistently hefty terminals that emphasize speed and impact.

Best suited to large-scale applications where its slant, width, and carved detailing can read clearly—such as sports identities, racing or automotive graphics, esports and streaming overlays, event posters, and impactful headline or logo work. It can also work for short UI labels or packaging callouts when set generously with ample size and spacing.

The overall tone feels fast, assertive, and performance-driven, with a distinctly modern, motorsport/arcade flavor. Its dramatic slant and carved details suggest motion and power, making it feel loud and confident rather than neutral or literary.

The design appears intended to deliver maximum impact and a sense of motion through extended proportions, a strong oblique stance, and sculpted interior cutaways. Its consistent, geometric construction and controlled contrast suggest a deliberate, engineered display face aimed at bold, contemporary branding rather than long-form readability.

In text settings the bold massing holds together as a strong texture, while the internal cut-ins and tight counters can become small at reduced sizes. Numerals and capitals share the same angular, engineered language, reinforcing a cohesive, display-oriented personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸