Sans Normal Opdab 3 is a bold, normal width, medium contrast, upright, tall x-height font visually similar to 'Arzachel' by CAST, 'Comma Base' by Martin Majoor, 'PF Adamant Sans Pro' by Parachute, 'Macha' by Positype, and 'Acorde' by Willerstorfer (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, editorial, friendly, retro, confident, approachable, high impact, warm modernity, retro flavor, readable display, brand voice, soft curves, humanist, open counters, rounded joins, ink-trap feel.
This typeface shows sturdy, dark strokes with gently bracketed transitions and softly rounded curves that keep the forms from feeling rigid. Proportions are slightly condensed through the capitals while the lowercase is compact and energetic, with a prominent x-height and short extenders that tighten the texture. Curves are full and open (notably in C, G, S, and e), and many joins show subtle tapering and small notches that add a crafted, print-like character. Numerals are heavy and stable, with simple, high-contrast silhouettes that read clearly at display sizes.
It performs best in attention-grabbing settings such as headlines, posters, cover lines, and brand marks where its heavy presence and friendly shaping can be appreciated. The compact lowercase and open counters also suit short editorial blurbs and packaging copy where a strong voice is needed without feeling harsh.
The overall tone is warm and assured, combining a contemporary cleanliness with a hint of vintage, bookish charm. Its rounded modeling and subtle quirks make it feel personable and inviting rather than clinical, while the weight and rhythm project confidence and emphasis.
The font appears designed to deliver high-impact text with a welcoming, slightly nostalgic flavor, blending clean construction with subtle, crafted details. Its intent seems to be versatile display typography that remains readable while carrying a distinctive, personable tone.
The design maintains consistent stroke weight and a steady baseline, but includes small idiosyncrasies—like slightly flared terminals and scooped joins—that add personality and improve separation in dense text. Spacing appears comfortable for headlines, producing a solid, poster-like color in the sample paragraph.