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Serif Humanist Ruly 8 is a light, normal width, high contrast, italic, short x-height font.

Keywords: book design, editorial, magazines, invitations, packaging, literary, classical, hand-inked, refined, warm, heritage tone, italic voice, calligraphic texture, editorial polish, classic elegance, calligraphic, bracketed, tapered, fluid, lively.


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This typeface is a slanted serif with a distinctly calligraphic build: strokes taper and swell with a broad-nib feel, producing crisp contrast and a lively, slightly irregular rhythm. Serifs are small and bracketed, often finishing in pointed or flicked terminals that give the outlines a hand-inked character rather than a rigid, mechanical one. Capitals are moderately narrow with elegant proportions, while the lowercase leans further into cursive influence, using narrow joins and tapered entry/exit strokes; numerals follow the same organic modulation and angled stress.

It suits editorial and book typography where an italic voice is needed for emphasis, quotations, and display passages, and it also works well for refined branding elements such as invitations, labels, and packaging where a classical, handwritten elegance is desirable. Larger sizes will best showcase the tapered terminals and calligraphic modulation, while moderate text sizes retain a readable, traditional texture.

The overall tone is literary and traditional, with a warm, personable elegance that recalls pen-written forms and old-style book typography. Its energetic slant and sharp finishing strokes add a touch of drama, making it feel expressive without becoming ornamental.

The design appears intended to blend classical serif structure with noticeable pen influence, offering an expressive italic that feels rooted in historical, humanist forms while remaining practical for continuous reading. Its crisp contrast and flicked terminals seem aimed at adding sophistication and movement to text without sacrificing typographic discipline.

Letterforms show a consistent angled stress and a slightly variable, handwritten cadence—most noticeable in the lowercase where terminals and curves end in subtle hooks or spur-like flicks. Spacing appears relatively open for an italic, helping text hold together in continuous setting while still preserving a textured, ink-on-paper feel.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸