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Sans Superellipse Osbum 1 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection; 'FF DIN', 'FF DIN Arabic', and 'FF DIN Paneuropean' by FontFont; and 'Molde' by Letritas (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, assertive, industrial, sporty, poster-ready, utilitarian, impact, space-saving, modern utility, sturdy legibility, brand presence, condensed, blocky, compact, heavy, squared-round.


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This typeface uses dense, compact letterforms with a pronounced vertical stance and tight internal spaces. Curves are built from rounded-rectangle geometry, producing squarish counters and softly radiused corners rather than true circular bowls. Strokes maintain a consistent thickness, and terminals are mostly flat, giving the design a blocky, engineered rhythm. The lowercase is substantial and sturdy, with a single-storey ‘a’ and simple, straightforward constructions; numerals are similarly compact and weighty, designed to read as solid shapes in a lineup.

Best suited to bold headlines and display settings where compact width and heavy texture help maximize impact—posters, sports and team branding, packaging, and attention-grabbing signage. It can also work for short, emphatic subheads or labels where a dense, sturdy voice is desirable.

The overall tone is loud and no-nonsense: confident, workmanlike, and designed to project strength. Its rounded-square forms add a touch of friendliness to an otherwise hard-edged, athletic voice, making it feel modern and practical rather than delicate or formal.

The design appears intended to deliver maximum punch in limited horizontal space while keeping forms approachable through rounded-square curves. It favors clarity and strength over finesse, aiming for a contemporary, high-impact sans that remains consistent and legible at display sizes.

Because the counters are tight and the joins are chunky, the font holds together as a dark, continuous texture in paragraphs and becomes especially impactful in short lines. The squared-round geometry stays consistent across caps, lowercase, and figures, creating a cohesive, “built” appearance.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸