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Sans Superellipse Gimas 8 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Racon' by Ahmet Altun, 'Protrakt Variable' by Arkitype, and 'Modsten' by Ingrimayne Type (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, logos, playful, retro, techy, chunky, friendly, impact, friendliness, geometric coherence, logo readiness, display clarity, rounded, squarish, compact, geometric, soft-cornered.


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A heavy, compact sans with soft-cornered, squarish curves and largely uniform stroke thickness. Counters are rounded-rectangular and fairly tight, creating dense, blocky silhouettes with strong figure/ground contrast. Terminals tend to be flat and blunt, and many forms are built from superellipse-like bowls and arches, giving the alphabet a consistent, modular rhythm. The lowercase is sturdy and simplified, with short extenders and minimal detailing, while numerals are similarly robust and highly uniform in texture.

Best suited to short, high-impact settings such as headlines, posters, packaging, and bold branding systems where its dense texture and rounded-square geometry can carry visual weight. It can also work well for UI labels, game titles, and signage where a friendly but assertive voice is needed, especially at medium-to-large sizes.

The overall tone is bold and approachable, combining a toy-like friendliness with a slight retro-tech flavor. Its rounded geometry reads confident and energetic rather than formal, and the compact shapes lend a game/UI or display-like punch. The consistent, softened rectangles give it a clean, contemporary feel without becoming sterile.

The design appears intended to deliver maximum presence with a softened geometric structure: strong, blocky letterforms that remain approachable through rounded corners and simplified construction. Its consistent superellipse-driven shapes suggest an emphasis on coherence across the set and quick recognizability in display contexts.

Spacing and shapes appear optimized for impact: apertures are small, joins are thick, and interior space is intentionally restrained. Distinctive, squarish rounds in characters like O/C/G and the simplified construction of forms like a, e, and s reinforce a cohesive, logo-ready personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸