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Free for Commercial Use

Sans Superellipse Ormug 2 is a bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Bartholeme Sans' by Galapagos, 'Cantiga' by Isaco Type, 'CamingoDos Condensed' by Jan Fromm, and 'JAF Bernini Sans' by Just Another Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, assertive, industrial, contemporary, utilitarian, headline, compact impact, modern utility, brand presence, blocky, compact, square-shouldered, rounded corners, high-impact.


Free for commercial use
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This typeface is built from compact, sturdy forms with a slightly squared, superelliptical skeleton: bowls and counters read as rounded rectangles rather than pure circles. Strokes are heavy and even, with clear, clean terminals and minimal modulation. Curves are tight and controlled, producing a crisp rhythm that stays consistent across caps, lowercase, and numerals. The lowercase shows simplified, single-storey structures (notably in a and g) and short, efficient joins, keeping the overall texture dense and economical.

It performs best where bold, space-efficient letterforms are needed—headlines, posters, packaging, and logo-driven branding that benefits from a compact footprint. It can also work for short UI labels or signage where a strong, contemporary presence is desired, though long passages may appear dense due to its tight interior spaces.

The overall tone is direct and no-nonsense, leaning modern and functional rather than expressive. Its compact, blocky curves suggest an engineered, industrial confidence—more about clarity and impact than warmth or elegance.

The design appears intended to deliver maximum visual impact in a compact width while maintaining clean, modern readability. By using superelliptical rounds and straightforward construction, it aims for a distinctive industrial voice that remains broadly usable across display and titling contexts.

Large sizes emphasize the distinctive squarish rounds and the strong vertical presence, while the tight counters and sturdy joins create a dark, unified color in text. Numerals follow the same compact, squared-curve logic, supporting a consistent voice across alphanumeric settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸