Sans Superellipse Utnus 2 is a regular weight, wide, low contrast, upright, normal x-height font.
Keywords: ui labels, signage, tech branding, posters, packaging, techno, futuristic, industrial, digital, modular, systematic design, tech tone, display clarity, modern identity, squared, rounded corners, monoline, geometric, clean.
A geometric sans with monoline strokes and a rounded-rectangle (superelliptic) construction. Corners are consistently softened while terminals remain mostly straight and horizontal/vertical, giving the forms a crisp, engineered feel. Counters tend toward rectangular shapes, apertures are controlled and fairly closed, and diagonals are used sparingly in favor of orthogonal structure. Proportions are slightly extended with generous internal spacing, producing clear silhouettes and a steady, grid-like rhythm across capitals, lowercase, and numerals.
Well-suited to UI labels, dashboards, and on-screen headings where a clean, technical rhythm helps navigation. It also fits branding for technology or hardware products, as well as posters, packaging, and wayfinding that benefit from sturdy, high-clarity shapes. The distinctive geometry can add character in short to medium text settings, especially at display sizes.
The overall tone is technological and utilitarian, reminiscent of interface lettering, sci‑fi titling, and industrial labeling. Its rounded corners keep the voice approachable, while the rigid geometry and squared curves maintain a precise, machine-made character.
The design appears intended to translate a rounded-rectangular, grid-based aesthetic into a versatile sans that feels modern and systematic. By prioritizing consistent corner radii, uniform stroke weight, and squared counters, it aims for a recognizable “digital hardware” identity while staying legible and orderly.
Distinctive squared bowls and counters show up throughout, with a consistent “rounded-square” logic applied to curves. The punctuation and dots read as simple, compact marks that align to the same modular system as the letters, reinforcing the font’s disciplined, schematic look.