Sans Superellipse Ugras 3 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'EB Corp' by Eko Bimantara, 'Interval Next' and 'Metronic Pro' by Mostardesign, 'Core Sans NR' by S-Core, and 'Bitner' and 'Syke' by The Northern Block (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, advertising, sporty, dynamic, confident, contemporary, friendly, impact, motion, modern branding, approachability, slanted, rounded, soft corners, geometric, compact counters.
A heavy, right-slanted sans with broad, rounded forms and softly squared curves that give many letters a superelliptical feel. Strokes stay largely uniform, with only subtle optical modulation, and terminals are clean and blunt rather than calligraphic. The rhythm is compact and punchy: bowls are full, apertures tend to be tight, and counters are relatively small, which increases density and impact. Uppercase shapes read sturdy and geometric, while lowercase forms remain simple and utilitarian with a straightforward, single-storey feel where applicable.
Best suited to short-to-medium text where impact matters—headlines, posters, and prominent display copy. It also fits energetic brand systems such as sports identities, retail promotions, packaging callouts, and digital hero text where a strong, modern voice is needed.
The overall tone is energetic and assertive, with a forward-leaning, action-oriented presence. Rounded geometry keeps it approachable, balancing the strong weight with a friendly, modern character. It suggests speed, teamwork, and contemporary branding rather than formal editorial refinement.
The design appears intended to deliver bold visibility with a contemporary geometric softness, using a consistent slant to add motion and emphasis. Its compact counters and rounded-rectangle construction aim for high recognition at display sizes while maintaining a friendly, accessible tone.
Numerals are robust and highly graphic, matching the letterforms’ compact counters and rounded rectangles. The slant is consistent across letters and figures, supporting a cohesive “in-motion” texture in paragraphs and headlines.