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Free for Commercial Use

Sans Superellipse Ibrug 6 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Rhea' by Dominik Krotscheck, 'Goodrich' by Hendra Pratama, 'Radio Station JNL' by Jeff Levine, and 'Tolyer' by Typesketchbook (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, punchy, playful, retro, bold, friendly, high impact, compact display, friendly strength, retro modernity, blocky, rounded, condensed, compact, sturdy.


Free for commercial use
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A compact, heavy sans with rounded-rectangle construction and soft corners throughout. Strokes are consistently thick with little visible modulation, producing a dense, poster-like color on the page. Counters are small and often squarish/rounded-square, and many terminals end with blunt, flat cuts that reinforce a blocky rhythm. The fit feels tight and condensed, with sturdy verticals and simplified joins that keep shapes legible at display sizes.

Best suited to headlines, posters, and short display lines where its dense weight and compact width create high impact. It also works well for branding, packaging, and storefront-style signage that benefits from a sturdy, friendly sans voice. For longer text, it’s most effective in larger sizes or in brief pull quotes where its heavy color won’t overwhelm.

The overall tone is energetic and attention-grabbing, with a friendly, slightly quirky character from the rounded geometry and chunky proportions. It reads as modern-retro and informal, suited to designs that want impact without sharpness.

The design appears intended to deliver maximum visibility in a compact footprint, using rounded-rectangle geometry to stay approachable while maintaining a strong, solid presence. It prioritizes bold silhouette clarity and consistent rhythm for display communication.

Round characters (like O/C/G and numerals) lean toward superelliptical bowls rather than true circles, giving the face a distinctive, engineered softness. The lowercase has single-storey forms (notably a and g), and the figures match the same robust, compact logic for strong visual cohesion.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸