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Sans Superellipse Osmed 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Acumin' by Adobe, 'Bebas Neue Pro' by Dharma Type, 'Hype vol 3' by Positype, 'Kommon Grotesk' by TypeK, 'Calps Sans' by Typesketchbook, 'Ddt' by Typodermic, and 'Herd' by Wahyu and Sani Co. (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, industrial, sporty, assertive, modern, impact, modernity, ruggedness, clarity, approachability, blocky, rounded, compact, clean, sturdy.


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A heavy, compact sans with rounded-rectangle construction and broad curves that keep counters open despite the dense weight. Terminals are mostly flat and squared-off, while inner corners and joins are softened, producing a superelliptical, molded feel. Proportions lean slightly condensed with tight apertures in letters like C/S, and a stable rhythm created by consistent stroke thickness and minimal modulation. The lowercase is straightforward and sturdy, with a single-storey a and g and a deep, squared-shoulder n/m; numerals are equally blocky, with a notably rounded 0 and a simple, vertical 1.

Best suited to display settings where punch and clarity matter: headlines, posters, brand marks, packaging, and bold informational signage. It can also work for short UI labels or navigation items when a strong, compact voice is desired, but its density suggests avoiding long text passages.

The overall tone is bold and no-nonsense, with a contemporary, engineered character. Its rounded geometry keeps it approachable, but the mass and compactness read as forceful and headline-forward, suggesting athletic, industrial, or utilitarian contexts.

The font appears designed to deliver maximum visual impact using a geometric, rounded-rectangle skeleton, balancing toughness with softened corners. It prioritizes bold silhouettes and consistent rhythm for prominent, modern communication.

The design maintains strong silhouette clarity at large sizes, with generous vertical stems and relatively small counters that emphasize impact. Curved letters show a slightly pinched aperture treatment, adding tension and energy compared to fully open grotesks.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸