Sans Superellipse Figig 3 is a bold, wide, low contrast, italic, tall x-height font visually similar to 'Magistral' by ParaType, 'Core Sans N SC' and 'Core Sans NR' by S-Core, 'Boxley' by Shinntype, and 'Eastman' by Zetafonts (names referenced only for comparison).
Keywords: headlines, branding, sportswear, posters, packaging, sporty, modern, punchy, energetic, confident, impact, motion, modern branding, display clarity, geometric consistency, rounded, oblique, soft corners, compact curves, clean.
A heavy, oblique sans with broad proportions and rounded-rectangle construction in curved letters. Strokes are monolinear with smooth terminals, producing a crisp, streamlined silhouette. Counters are compact and often squarish-oval, and many joins and corners are softened rather than sharp, giving the forms a controlled, engineered feel. The rhythm is dynamic due to the slant and the wide set, while spacing remains even and sturdy for display use.
Best suited to short-to-medium display settings where its weight and slant can create momentum—headlines, logos, apparel graphics, sports and automotive branding, and poster typography. It also works well for bold UI moments such as hero banners, navigational labels, and promotional callouts where a sturdy, modern voice is needed.
The overall tone is fast, modern, and assertive, with a sporty, forward-leaning stance. Rounded corners temper the weight, adding a friendly, accessible edge without losing impact. It reads as contemporary and performance-oriented, suited to branding that wants speed and confidence.
The design appears intended to deliver a high-impact, contemporary sans with a sense of motion, using rounded superellipse-like geometry to keep the forms clean and consistent. The combination of heavy strokes, wide stance, and oblique angle aims to maximize presence and readability in attention-grabbing contexts.
Uppercase forms show a consistent geometric logic with softened corners, while lowercase maintains the same rounded, monoline approach and a robust, compact texture. Figures follow the same wide, oblique stance and feel cohesive with the letterforms, supporting strong typographic blocks in headlines.