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Serif Flared Umra 1 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Acumin' by Adobe, 'Mollen' by Eko Bimantara, 'Classic Grotesque' and 'Monotype News Gothic' by Monotype, 'Interval Next' by Mostardesign, 'DynaGrotesk' by Storm Type Foundry, and 'Mynor' by The Northern Block (names referenced only for comparison).

Keywords: editorial, book text, headlines, magazines, posters, classic, authoritative, bookish, formal, compact authority, print texture, classic voice, headline impact, bracketed, flared, sharp apexes, ink-trap feel, tight spacing.


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A compact serif with sturdy verticals and subtly flared terminals that broaden as they meet the serifs, giving strokes a carved, tapering-in feel. The design is low-contrast overall, with firm weight distribution and crisp joins; many letters show wedge-like serifs and slightly pinched inner corners that add definition without becoming decorative. Counters are relatively tight and proportions are condensed, producing a dense rhythm in text. Round letters stay controlled and upright, while diagonals and apexes (e.g., A, V, W) finish in sharp points that reinforce a structured, print-oriented texture.

Best suited to editorial typography where a dense, authoritative texture is desirable—magazine heads and decks, book titling, pull quotes, and compact headlines. It can also work for short-to-medium passages in print-oriented layouts where a traditional serif tone and strong word shapes are beneficial.

The font conveys a traditional, editorial seriousness with a slightly idiosyncratic, crafted edge. Its tight, emphatic presence reads as confident and formal, suggesting literature, institutions, and heritage-oriented branding rather than casual or playful use.

The design appears intended to deliver a classic serif voice in a more compact, emphatic form, using flared stroke endings and crisp serifs to preserve definition and presence. The overall construction prioritizes a strong typographic color and a controlled, print-like rhythm for editorial settings.

In the sample text, the strong vertical emphasis and compact set create a dark, continuous color on the line, with punctuation and figures matching the same sturdy, serifed voice. The flaring at terminals helps maintain clarity at joins and endings, adding a subtle calligraphic or engraved impression without relying on high contrast.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸