Sans Superellipse Hilis 6 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Bergk' by Designova, 'Brinova' by Digitype Studio, 'CF Blast Gothic' by Fonts.GR, 'Asket' by Glen Jan, and 'Opinion Pro' by Mint Type (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, wayfinding, industrial, assertive, modern, utilitarian, punchy, impact, compactness, clarity, modernity, condensed, blocky, rounded corners, square counters, high contrast presence.
A compact, heavy sans with tall proportions and tightly controlled widths. Strokes are uniformly thick with minimal modulation, producing a dense, poster-like color on the page. Curves are built from rounded-rectangle geometry: bowls and counters tend toward squared interiors with softened corners, and round letters read more like superelliptical capsules than perfect circles. Joins are crisp and mostly orthogonal, terminals are flat, and spacing is straightforward, emphasizing a sturdy, engineered rhythm.
Best suited to short, high-impact text such as headlines, posters, logos, and packaging where its dense weight and squared-round construction can carry personality. It can also work for bold UI labels or wayfinding where a compact footprint and strong silhouette are helpful, though generous sizing and spacing will improve clarity in longer text.
The overall tone is forceful and functional—more industrial than friendly. Its squared curves and dense weight give it a no-nonsense, contemporary feel that reads as confident and slightly retro-technical at display sizes.
The design appears intended to deliver maximum punch in a condensed footprint while maintaining a coherent, rounded-rect geometry across curves. It prioritizes strong silhouettes, tight counters, and a consistent stroke system for confident display typography.
Counters are relatively tight for the weight, which boosts impact but can reduce openness in smaller settings. Numerals and capitals share the same compact, vertical emphasis, helping headlines feel consistent and strong. The lowercase is similarly solid, with simple forms that keep texture even across longer lines.