Sans Superellipse Otbos 2 is a bold, normal width, low contrast, upright, normal x-height, monospaced font visually similar to 'CamingoCode' and 'CamingoMono' by Jan Fromm and 'TheSans Mono' by LucasFonts (names referenced only for comparison).
Keywords: code, ui labels, terminals, tables, packaging, utilitarian, technical, robust, industrial, retro, grid alignment, strong presence, system clarity, retro computing, blocky, geometric, square-rounded, compact, sturdy.
This typeface is a heavy, monospaced sans with a geometric, square-rounded construction. Curves are drawn as softened rectangles and superellipse-like arcs, giving round letters a slightly squarish silhouette. Strokes are dense and even, terminals are clean and mostly flat, and corners tend to be subtly radiused rather than sharp. The lowercase is compact with simple, single‑storey forms (notably a and g), a short-armed t, and a straightforward r; figures are equally blocky and uniform, with an open, angular feel in shapes like 2 and 7.
It works well where fixed-width alignment matters, such as code samples, terminal-style interfaces, tabular data, and schematic or labeling systems. The sturdy shapes also suit bold headings in posters, packaging, and signage when a technical, utilitarian voice is desired.
The overall tone is pragmatic and no-nonsense, with a strong industrial and technical character. Its blocky rhythm and squared curves suggest classic computing, labeling, and instrumentation aesthetics rather than expressive or delicate typography.
The design appears intended to deliver a clear, strongly structured monospaced voice with softened rectangular geometry—balancing strict grid discipline with rounded corners for a friendlier, more contemporary finish.
Because every glyph occupies the same horizontal measure, the texture reads highly regular and grid-like, especially in all-caps settings. The squared-round geometry creates distinctive counters and a compact color that stays consistent across mixed-case and numerals.