Hollow Other Atju 1 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'AT Move Skewy' by André Toet Design, 'Camp' by Pelavin Fonts, and 'Aristotelica Pro' by Zetafonts (names referenced only for comparison).
Keywords: headlines, packaging, children's, stickers, posters, playful, cartoon, quirky, friendly, retro, novelty, impact, approachability, distinctiveness, retro feel, rounded, soft, bubbly, chunky, inked.
A heavy, rounded display face with compact, blobby letterforms and soft terminals. Strokes are thick and smooth with occasional teardrop-like ends, and many glyphs feature small interior cutouts or pinhole-style counters that read like punched holes rather than traditional apertures. Proportions are lively and irregular in a controlled way: bowls are generously inflated, joins are simplified, and counters are often tiny or partially closed, creating a strong silhouette-first rhythm. Figures match the same chunky geometry, with rounded curves and minimal internal detail for a consistent, poster-ready texture.
Best suited to short, prominent text such as headlines, titles, product packaging, playful branding, and poster graphics where its rounded massing and cutout details can be appreciated. It can also work well for kids-oriented materials, labels, and social graphics, especially when used at larger sizes and with comfortable tracking.
The overall tone is lighthearted and whimsical, with a toy-like, hand-drawn energy. The punched-hole detailing adds a cheeky, crafty feel—somewhere between cartoon signage and vintage novelty lettering—making the font feel approachable and fun rather than formal.
The design appears intended as a characterful, high-impact display font that prioritizes bold silhouettes and a distinctive punched-hole motif over conventional readability. Its softened geometry and quirky internal cutouts suggest an aim to evoke playful, retro-leaning novelty lettering for expressive, attention-grabbing typography.
The small counters and decorative cutouts can reduce clarity at small sizes, so the design benefits from generous sizing and spacing. In longer text blocks it creates a dense, inky color with a distinctive dotted interior texture, while in short headlines the silhouettes read quickly and with strong personality.