Sans Superellipse Haror 1 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Air Corps JNL' by Jeff Levine, 'B52' by Komet & Flicker, and 'Revx Neue' and 'Revx Neue Rounded' by OneSevenPointFive (names referenced only for comparison).
Keywords: headlines, branding, ui labels, signage, posters, modern, friendly, confident, technical, clean, impact, clarity, modernity, approachability, geometric unity, rounded corners, geometric, squared curves, high contrast gaps, large counters.
A sturdy geometric sans with rounded-rectangle construction and softly squared curves throughout. Strokes are consistently heavy and even, with broad, open counters and clear interior spacing that supports legibility at display and large text sizes. Terminals are clean and blunt with generous corner radii, giving letters a compact, engineered silhouette; rounded forms (C, O, G, e) lean toward superelliptical shapes rather than perfect circles. The lowercase shows single-storey forms (notably a and g) and simple, straight-sided stems, while figures are wide and blocky with simplified apertures.
This font is well suited to headlines, branding systems, and short UI labels where a bold, friendly geometric voice is desired. The sturdy shapes and generous counters also make it a strong option for signage and poster typography, especially where quick recognition and a contemporary feel are priorities.
The overall tone is modern and approachable, combining a friendly roundness with a confident, industrial solidity. Its squared curves and dense color feel contemporary and tech-adjacent, while the softened corners keep it from reading harsh or overly corporate.
The design appears intended to deliver a modern geometric sans with rounded-rectangle character—combining high-impact weight and simplified construction for clear, memorable letterforms. It emphasizes consistent geometry and softened corners to balance technical precision with approachability.
The design favors simplified geometry and strong silhouettes, producing a dark, even texture in paragraphs. Wide forms and large counters help maintain clarity, while tight joins and squared rounding create a distinctive “soft-rectangular” rhythm across the alphabet and numerals.