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Free for Commercial Use

Sans Superellipse Ferov 6 is a very bold, very narrow, low contrast, italic, normal x-height font visually similar to 'Kaneda Gothic' by Dharma Type, 'Andove' by Locomotype, 'Hype vol 2' by Positype, and 'TT Bluescreens' by TypeType (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, sporty, urgent, industrial, retro, impact, speed, space saving, headline display, condensed, slanted, blocky, rounded corners, compact.


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This typeface is a condensed, strongly slanted sans with compact proportions and tightly contained counters. Strokes are thick and even, with squared-off terminals and subtly rounded corners that give curves a superellipse-like feel rather than pure circles. The overall construction is upright in structure but dynamically forward-leaning, producing a rigid, engineered rhythm; curves are controlled and somewhat flattened, while verticals dominate and bowls stay narrow. Numerals match the uppercase’s compressed stance and heavy, solid texture, maintaining consistent width economy and a dense typographic color.

Best suited to large sizes where its dense texture and slanted stance can project impact—headlines, posters, sports and motorsport-style branding, and bold packaging callouts. It can also work for short labels or signage where space is limited and a compact, forceful voice is desired.

The combination of condensed width, heavy mass, and a pronounced slant creates a fast, high-impact tone associated with motion and urgency. Its crisp, blocky shapes read as utilitarian and athletic, with a slightly retro, poster-like energy that feels suited to attention-grabbing headlines.

The design appears intended to maximize impact in a narrow footprint, pairing heavy, even strokes with a forward slant to suggest speed and intensity. Rounded-rectangle curves and squared terminals keep the letterforms sturdy and reproducible, emphasizing clarity and punch over delicacy.

The slant is consistent across cases, and the lowercase follows the same compact, upright skeleton with minimal flourish. Round letters (such as O/C/G) appear squarish and constrained, reinforcing a mechanical feel, while diagonals (V/W/X/Y) sharpen the overall tempo.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸