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Free for Commercial Use

Sans Superellipse Etkep 4 is a very bold, very narrow, low contrast, italic, normal x-height font visually similar to 'Hyugos' by Fateh.Lab, 'Hype vol 2' by Positype, 'Monopol' by Suitcase Type Foundry, and 'Headliner TC' by Tom Chalky (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, sporty, urgent, industrial, retro, punchy, space saving, high impact, dynamic tone, brand presence, condensed, forward-leaning, rounded corners, soft terminals, compact.


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A compact, tightly condensed sans with a pronounced forward slant and dense, heavy color. Strokes stay largely monolinear, with rounded-rectangle (superellipse-like) bowls and softened corners that keep the shapes smooth despite the aggressive proportions. Counters are small and efficiently cut, and many joins feel squared-off yet eased, creating a clean, engineered rhythm. The lowercase is compact with sturdy stems and short extenders, while numerals follow the same condensed, rounded-corner construction for a consistent texture in mixed settings.

Best suited for headlines and short-to-medium bursts of copy where a condensed, high-impact voice is needed. It works well in sports and fitness branding, event posters, product packaging, and bold signage where space is limited but presence is required. The consistent, rounded construction also makes it effective for punchy subheads and promotional lines.

The overall tone is fast and assertive, with a sporty, high-impact presence that reads as energetic and purposeful. Rounded corners add a slightly friendly, modern edge, keeping the voice from feeling sharp or harsh. The slanted stance and compressed width give it a sense of motion and urgency, lending a poster-like confidence.

The design appears intended to deliver maximum impact in minimal horizontal space, combining a forward-leaning stance with rounded, engineered shapes. It aims for a balance of speed and clarity, producing a dense, modern display texture that stays cohesive across uppercase, lowercase, and numerals.

In lines of text, the tight set and narrow forms create a strong vertical cadence and a dark typographic stripe. The punctuation and figures visually match the letterforms in weight and curvature, helping the font maintain uniform density across headlines and callouts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸