Print Gyruv 6 is a bold, very narrow, monoline, upright, normal x-height font visually similar to 'Delluza' by Almarkha Type, 'Neumatic Gothic' and 'Neumatic Gothic Round' by Arkitype, 'Albireo Soft' by Cory Maylett Design, 'Geogrotesque Condensed Series' and 'Geogrotesque Sharp' by Emtype Foundry, and 'Cargi' by Studio Principle Type (names referenced only for comparison).
Keywords: posters, headlines, packaging, signage, logos, industrial, stenciled, poster, retro, punchy, space saving, visual texture, signage feel, display impact, condensed, rounded, blocky, modular, notched.
A condensed, monoline display face built from tall, rounded-rectangle strokes with frequent internal cut-ins that create a stenciled, segmented look. Terminals are consistently softened, and counters are narrow and vertically emphasized, giving the alphabet a compact, column-like rhythm. The shapes feel modular and repeatable across the set, with small notches and breaks providing texture and differentiation (especially visible in curves and joints). Numerals follow the same narrow, vertical logic, maintaining strong consistency with the letters.
This font suits short, high-impact text such as posters, headlines, labels, and branding marks where a condensed footprint is helpful. It can also work well for signage-style graphics or packaging that benefits from an industrial, stenciled texture.
The overall tone is industrial and utilitarian, with a bold, poster-forward presence. The notched stencil detailing adds a slightly mechanical, retro-signage feel that reads as confident and attention-grabbing rather than delicate or formal.
The design appears intended to provide a narrow, high-contrast-in-presence display style that feels hand-drawn yet systematic, using stencil-like breaks and rounded geometry to create a distinctive, repeatable texture. Its condensed build prioritizes space efficiency while keeping strong visual impact.
Because of its tight proportions and internal breaks, the design reads best when given generous tracking and ample size; the segmented detailing can visually close up at smaller sizes. The texture created by the repeated cut-ins produces a distinctive pattern in longer lines, making it especially recognizable in headlines.