Sans Superellipse Tamud 6 is a very bold, very narrow, medium contrast, upright, tall x-height font visually similar to 'Rama Gothic' and 'Rama Gothic Rounded' by Dharma Type, 'Cyclone' by Hoefler & Co., 'Factual JNL' by Jeff Levine, 'Lektorat' by TypeTogether, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, logos, industrial, poster, retro, assertive, condensed, compact impact, bold display, space saving, signage clarity, industrial tone, blocky, sturdy, compact, rounded corners, ink-trap feel.
A condensed, heavy sans with rounded-rectangle construction and compact counters. Strokes are thick and relatively even, with softened corners and subtle interior notches that read like shallow ink traps, helping keep tight apertures from closing. Curves are squarish rather than circular, and joins stay blunt and robust, producing a steady vertical rhythm. The lowercase is tall with short ascenders and minimal modulation, while numerals follow the same narrow, block-forward proportions for a uniform, space-efficient texture.
Best suited to headlines, posters, and packaging where a dense, condensed silhouette can maximize impact in limited horizontal space. It also works well for branding marks and signage that benefit from a sturdy, high-presence sans with rounded-rect geometry.
The overall tone is forceful and workmanlike, leaning toward industrial signage and headline typography. Its squared curves and dense color give it a retro-utilitarian character that feels direct, loud, and confident without becoming decorative.
The design appears intended to deliver maximum weight and legibility in a compact width, using squared curves and softened corners to maintain a coherent, industrial look. The tight apertures and subtle ink-trap-like shaping suggest an emphasis on holding up in bold display settings while preserving recognizable letterforms.
At larger sizes, the small internal cut-ins and tight counters become a distinctive detail that adds grit and clarity; at smaller sizes the compact apertures may appear more solid, emphasizing its bold, poster-oriented voice. Uppercase and lowercase share a consistent narrow stance, keeping lines of text visually tall and tightly packed.